A Closer Look at The Last Jedi

Disney used the D23 exposition to release new character posters and a video from behind-the-scenes of this December’s Star Wars: The Last Jedi.

Together with the teaser trailer we’re getting a bit more of a sense of how the film will feel, if not necessarily how it will play out. There are positives – Rey looking very cool with her cloak and lightsaber, amongst some impressive visuals – but it’s difficult to take all of the “new, unique Star Wars” ego-stroking seriously after the similar praise that marched ahead of The Force Awakens.

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Hyperspace & The Last Jedi Trailer

X-Wing Entering Hyperspace 1993 | Green Card Back

The Last Jedi may contextualise The Force Awakens into place alongside the rest of the series. It may redeem Luke Skywalker; heck, it could even retcon Han Solo back to being the responsible leader he grew into over three films, rather than the failed smuggler and deadbeat absent dad we were presented with back in 2015.

All of the above would help. Rian Johnson’s film could (and I’m not holding my breath) perform an incredible job of papering over the cracks created by Abrams’ production, but it still can’t make The Force Awakens a good Star Wars film. And there’s one element that illustrates exactly why:

Hyperspace.

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